"He was wrong to write that but his writing is so boring.
Too stupid to incite the symphony you’re scoring.
You’re too old for shit this small
But you’re much too young to a-ban-don it all."
Meanwhile I’m screaming all the time,
“You’re perfect you’re fine.”
You know I bit my tongue when you’ve been petulant and galling.
And I was there to lift you up whenever you were falling.
It’s been appalling.
Now you say that no one loves you.
I’m like “What about me?”
You’re like “What, me who?”
Well it’s the me who’s been here all the time.
Whatever never mind.
I’m missing the good parts of a bad friend
And I fear they’re gone for good.
It went from a good start to a bad end
And I wish he would
Come home, come home to the way I know he can be.
I wish he’d come home, come home to me.
We’d sing everything we’d write before I was your mother.
Two hot young dykes at night, we’d listen to each other.
Now you don’t hear anything
And I don’t hear feelings when you sing.
Just slick, flat iPhone melodies.
Listen, please.
I’m missing the good parts of a bad friend
And I fear they’re gone for good.
It went from a good start to a bad end
And I wish he would
Come home, come home to the way I know he can be.
I wish he’d come home, come home to me.
You’d rather be right than be happy with my love.
Show me you understand the things I try to tell you.
Don’t throw up all that guarded trauma that befell you
Cause I can smell you.
Retweet if you use feminist dogmas to avoid accountability in lesbian processing.
Reply if you prefer friendship to fame.
Favorite if same.
I’m missing the good parts of a bad friend
And I fear they’re gone for good.
It went from a good start to a bad end
And I wish he would
Come home, come home to the way I know he can be.
I wish he’d come home, come home to me.
credits
from The One Who Wanted More,
released April 6, 2018
Vocals: Dan & Sara
Guitars and Percussion: Matt
Bass and Glockenspiel: Kevin
Drums and Background Vocals: Daoud
Keyboards: Matt Katz
Lyrics by Dan Fishback
Music by Cheese On Bread
Mixed by Jason Carmer
Mastered by Paul Gold at Salt Mastering
Produced by Cheese On Bread at Seaside Lounge Recording Studios
Spooky as HELL AND LOVING IT
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